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Stuart Landry, the
founder of Pelican Publishing Company, acted as editor and publisher, and
he ran Pelican for forty years. He had a measure of success, publishing
local histories, but he had published two important history-changing
books. His first published work was Sherwood
Anderson and Other Famous Creoles in 1926, the first trade book by
William Faulkner-the South's greatest novelist. The other was Whither
Solid South in 1947, by Charles Wallace Collins,
a former law
librarian of Congress and librarian of the Supreme Court.
The
South had been weak politically since the Civil War, and what strength it
had was from its strong attachment to the Democratic Party. Whither Solid South posited that this was bad for the South, and it
deserved its second-class citizenship as long as it continued this
dependent relationship. This diagnosis has proved to be correct, although
the rest of Collins's conclusions were not.
Strom Thurmond, then governor of South Carolina, read the book and
vowed to change things. He ran for president on a third party States
Rights ticket in 1948, carrying four states, and the South has never been
solidly Democratic since then. It was solidly Republican for Ronald
Reagan.
In
1970, my wife, Nancy, my brother, Jim, and I bought a bankrupt Pelican
Publishing Company. The sellers wondered why we wanted a publishing
company since "it takes money to run a publishing company." She was
correct. We were not people of means, so we did it the old-fashioned way.
We published important books that other publishers were not publishing and
a large part of the population wanted. It was a great formula.
Now more
than 2,500 titles later, we can look back on important milestones.
The Calhouns set out to accomplish four things:
1. To build a major publisher in New Orleans
2. To publish books reflecting the culture and history of the South
3. To advocate for legal rights for Southerners in the American
Union, bolstered by the Constitution
4. To support liberty over tyrannical government
See
You at the Top,
Zig Ziglar's first book, began our motivational niche. He is arguably
the greatest motivational figure of the twentieth century. In the tenth
anniversary edition of People magazine, it was noted as the nation's sixth best-selling
book of the magazine's first decade.
Cajun
Night Before Christmas
changed the dynamic of Cajun culture. Before this publication,
the word "Cajun" was a pejorative and not accepted. Now everyone wants
to be Cajun because this book was positive and sympathetic to Cajun culture.
This has spawned twenty-eight titles, with five more being added in the
coming season.
It is probably Pelican's most widely distributed series.
Mary
Alice Fontenot brought another series to us. Her Clovis Crawfish titles are
children's picture books depicting the swamp's natural life. Each
character has been endowed with the particular characteristics of its
species. There are now nineteen titles. Although her books have not won
individual awards, Mary Alice was the recipient of
the Louisiana Lifetime
Achievement Award.
James Rice, Louisiana's greatest children's illustrator, was discovered
for Cajun
Night Before Christmas,
and by the end of his career, he had written or illustrated forty-nine books
for Pelican.
We
published Justin Wilson's first cookbook and introduced Cajun cooking to
the United States at the American Booksellers Association meeting in Los
Angeles in 1974. This later led to his national cooking show and many more
cookbooks.
We introduced Creole cooking to the national scene through Leon E. Soniat
Jr.'s La
Bouche Creole.
A national tour was planned, and Leon was slated to cook for the National
Food Editors in Chicago that fall. Tragically, he died before the
appearance. In answer to an urgent request for a substitute, his widow
suggested Paul Prudhomme.
He accelerated the speed of Cajun and Creole
cookery.
The
New
Orleans Architecture Series developed out of a guidebook to help
save the Lower Garden District from demolition. Originally planned as a
small paperback, Pelican encouraged the authors to produce a "grand design
for a grand theme." There are now eight volumes, and one volume won
the
Society of Architectural Historians' Alice Davis Hitchcock Award in 1977.
This
encouraged our Majesty
Architecture Series with more than twenty books on historic
architecture. It began with Paul and Lee Malone's Louisiana
Plantation Homes: A Return to Splendor.
In 1973, there was no place to see the work of political
cartoonists except in the city where they worked. Best Editorial
Cartoons of the Year, edited by Charles Brooks, was established to
1. Memorialize the story of the year in cartoons
2. To showcase the variety of approach and styles of the cartoonists
of America
3. To encourage the development of young cartoonists
We
have now completed thirty-eight years of this record. A high point was in
1979 when we were invited to exhibit books at the Moscow Book Fair.
Knowing the book would be provocative, we sent five volumes of Best
Editorial Cartoons of the Year to the fair. Premier Brezhnev
promptly banned them. This led to responses in newspapers, including an
article in the Paris Herald Tribune by Art Buchwald. This
provoked an open letter to Soviet citizens by Pelican's publisher. The
letter was published in the Best
Editorial Cartoons of the Year: 1980 Edition
as a foreword; its theme was the development of civilization and
self-government-the observation was made that Communism was so
unsuccessful that it hadn't reached the first stage of civilization,
which is to be able to feed oneself.
I was interviewed at the American Booksellers
meeting, and the interview was broadcast by radio to the Soviet Union on
several occasions by Voice of America. The prediction was that people
cannot be enslaved forever and eventually the collection of Soviet
republics would fall apart. This occurred nine years later.
Southern
history and culture and national politics with a Southern viewpoint was a
neglected area of publishing at that time. The
South Was Right!,
by Ronald and Donald Kennedy, twins who write books together, was a huge
success for Pelican. It has sold over 100,000 copies and is still selling
strongly. The book is a defense of the original Constitution, and the
authors have become experts on the subject.
Pelican
has published titles on aspects of the Civil War that have not been
previously covered.
Weep
Not for Me, Dear Mother,
by Elizabeth Whitley Roberson,
is the first portrayal of the common Southern soldier's character that I
have ever seen. It came about accidentally when a group of letters was found
discarded on an Atlanta Street.
As
the program has developed, the ferocity and viciousness of the attacks on
Southern civilians by the Union army has been revealed. Some examples are in
War
Crimes against Southern Civilians,
by Walter Brian Cisco; Civil
War on the Missouri-Kansas Border,
by Donald L. Gilmore; To
Die in Chicago: Confederate Prisoners at Camp Douglas 1862-65,
by
George Levy; Jack
Hinson's One-Man War,
by Tom C. McKenney; and Andersonville:
The Southern Perspective,
edited
by J. H. Segars.
Our
progress on black studies has also had a number of successes. We have
published three books on the Tuskegee Airmen, the adult book Black
Knights: The Story of the Tuskegee Airmen
and
a picture book and middle reader for children, all written by Lynn M. Homan
and Thomas Reilly. An outstanding bestseller was Famous
Firsts of Black Americans,
by Sibyl Hancock, which is now in its eighth printing. In 1995, Olympic
Black Women
and Famous
Firsts of Black Women,
both
written by
Martha Plowden, followed.
An outstanding title, Keith Weldon Medley's We
as Freemen:
Plessy v. Ferguson
is the account of the trial that led to legal segregation in the U.S. in
1896. The
Dooky Chase Cookbook
and
And
Still I Cook,
featuring recipes from the famous restaurant, and Leah
Chase: Listen, I Say Like This,
a biography by Carol Allen, celebrate the exceptional life of Leah Chase.
She also narrated the companion CD to her biography.
The
iconic Cajun
Night Before Christmas
began our transition into children's books. Most of the forty-nine titles
written and/or illustrated by James Rice were children's books, and most
were bestsellers. The children's book division has now become our largest
niche, and we publish fifteen to twenty titles per year. The subject matter
is diverse, but it is still strongly biographic and informational, with many
ethnic groups included.
The second largest division is cookbooks as would be expected since
we are in New Orleans. We have published almost all of the old-line
restaurant cookbooks of New Orleans, including
Lafcadio
Hearn's Creole Cookbook, the very first
Creole cookbook printed.
The
Classic
Recipes Series
is well underway and growing and includes recipe collections from New
Orleans, Atlanta, Savannah, Charleston, Dallas, and this fall will add
Houston and Los Angeles.
Pelican's other cookbook series includes Southern cookery, Mexican,
Polish, Romanian, Turkish, Balkan, Irish, African, Italian, Jewish, and many
others. The Jewish cookbooks consist of Kosher and non-Kosher.
Finally, we have not neglected our home state. We have many books on
Louisiana, covering almost every aspect of life. The flagship title is the
Louisiana
Almanac, published
intermittently since 1954.
There are guidebooks, picture books, children's books, cookbooks,
histories, and humor books covering almost every aspect of Louisiana life.
We have more books about Louisiana than any publisher anywhere. At one time,
our Louisiana history textbook was the largest seller in the state. Rules
were written that eliminated it.
In 1975, we made a visit to the Ozarks and fell in love with the area. We
began a publishing program that includes fourteen titles, many by Phillip W.
Steele who was a specialist in outlaws of the Ozarks and folktales. Our
leading book is The
Shepherd of the Hills, by Harold Bell
Wright, and we have published four other titles by him, including a
hardcover trilogy with the cooperation of his family.
In
1976, we published the Maverick
Guide to Hawaii after more than fifty publishers had turned down the
author. It became a success and founded our travel-guide list. We have
almost phased out this list.
This is an abbreviated
account of our first forty years, and the quality of manuscripts continues
to improve and their number increase. My daughter, Kathleen Nettleton, who
has worked in the company since age twelve, became the assistant to the
publisher last year. An experienced staff has developed. When the time comes
for a handoff, the company will be in good hands.
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